Christopher Tunnard

v1.39 - Repaired 1 link to disambiguation page - (You can help) - James Rose

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	[[Geoffrey Jellicoe]] reviewed Gardens in the Modern Landscape in the magazine Architecture Review and overall gave a great praise to Tunnard’s work. As it debunks previous and most accepted styles of landscape architecture, Tunnard meets with new nature, and questioning and breaking apart most widely accepted conventions, such as symmetry and the containment of the garden to a picture. He described the book as “if you can take the jolts you will be pleasantly introduced to the brave new world of landscape,” referring the jolts as this challenge to current conventions.<ref name="Jellicoe, G. The Dynamic Garden 1939 pp. 151-152">{{Citation | last = Jellicoe | first = G | title = The Dynamic Garden: Gardens in the Modern Landscape | journal = Architectural Review | volume = 85 | year = 1939 | pages = 151–2}}.</ref> In sum, Jellicoe reviews the new landscape that Tunnard describes as having a response from readers as either “shocked from it altogether, or carried off their feet with enthusiasm.”<ref name="Jellicoe, G. The Dynamic Garden 1939 pp. 151-152"/>		[[Geoffrey Jellicoe]] reviewed Gardens in the Modern Landscape in the magazine Architecture Review and overall gave a great praise to Tunnard’s work. As it debunks previous and most accepted styles of landscape architecture, Tunnard meets with new nature, and questioning and breaking apart most widely accepted conventions, such as symmetry and the containment of the garden to a picture. He described the book as “if you can take the jolts you will be pleasantly introduced to the brave new world of landscape,” referring the jolts as this challenge to current conventions.<ref name="Jellicoe, G. The Dynamic Garden 1939 pp. 151-152">{{Citation | last = Jellicoe | first = G | title = The Dynamic Garden: Gardens in the Modern Landscape | journal = Architectural Review | volume = 85 | year = 1939 | pages = 151–2}}.</ref> In sum, Jellicoe reviews the new landscape that Tunnard describes as having a response from readers as either “shocked from it altogether, or carried off their feet with enthusiasm.”<ref name="Jellicoe, G. The Dynamic Garden 1939 pp. 151-152"/>
−	[[Garrett Eckbo]], [[Dan Kiley]] and [[James Rose]], while together at the Graduate School of Design at Harvard during 1936 to 1938, cite reading Gardens in the Modern Landscape as inspiration against the strict rules of the curriculum of the GSD and a major influence for their work. Walker, Peter, and Melanie Simo.<ref name="ReferenceA">{{Citation | title = Invisible Gardens: The Search for Modernism in the American Landscape | place = Cambridge | publisher = The MIT}}.</ref>	+	[[Garrett Eckbo]], [[Dan Kiley]] and [[James C. Rose|James Rose]], while together at the Graduate School of Design at Harvard during 1936 to 1938, cite reading Gardens in the Modern Landscape as inspiration against the strict rules of the curriculum of the GSD and a major influence for their work. Walker, Peter, and Melanie Simo.<ref name="ReferenceA">{{Citation | title = Invisible Gardens: The Search for Modernism in the American Landscape | place = Cambridge | publisher = The MIT}}.</ref>
	[[Lawrence Halprin]] cites [[Gardens in the Modern Landscape]] as a revelation for him and his future career. From the book, the most enduring idea for Halprin being “A garden is a work of art, and it remains a vision for guidance as one tries to extend the garden’s benefits of rest, recreation, and aesethic pleasure to a wider public, in the larger landscape.” Walker 150 Moreover, Halprin wanted to study under Tunnard. For his graduate studies, he went to the [[Harvard Graduate School of Design|GSD]] at Harvard and under Tunnard and other influential men, Halprin studied landscape architecture. Later, with Tunnard, Halprin produced an issue of Task magazine. Walker, Peter, and Melanie Simo.<ref name="ReferenceA"/>		[[Lawrence Halprin]] cites [[Gardens in the Modern Landscape]] as a revelation for him and his future career. From the book, the most enduring idea for Halprin being “A garden is a work of art, and it remains a vision for guidance as one tries to extend the garden’s benefits of rest, recreation, and aesethic pleasure to a wider public, in the larger landscape.” Walker 150 Moreover, Halprin wanted to study under Tunnard. For his graduate studies, he went to the [[Harvard Graduate School of Design|GSD]] at Harvard and under Tunnard and other influential men, Halprin studied landscape architecture. Later, with Tunnard, Halprin produced an issue of Task magazine. Walker, Peter, and Melanie Simo.<ref name="ReferenceA"/>